Trinity was born in Verona, Italy but grew up in southern Idaho. From a young age, she had a passion for painting and hand-building works of art in ceramics, but living in Idaho constricted her creative mindset. The expectations that she should get married to a man and have children were negatively consuming her ideas of who she should be and what kinds of things she should be interested in. Being an artist opened a world of possibilities and inspiration. Growing up in a conservative environment, she never had the courage to create the kind of work she wanted to study. After hardships with her family, she freely identifies as a bisexual woman and now is confident in exploring gender, sexuality, and women’s studies. Concepts such as those often show up in the work she creates. Particularly in feminine social constructs and the taboo attitudes around female anatomy. Having in mind these conceptual ideas she continues to explore figures, color relationships, and organic/abstract shapes.
My artwork is a combination of self-exploration, feminine social constructs, and taboo attitudes attached to gender representation. Through abstract themes of sociopolitical awareness, I investigate both gendered and non-gendered forms and how their existence defines their importance, privilege, and influence. Specifically, I examine how feminine characteristics are perceived and the effects of those perceptions. My multidimensional choice of oil paint and sculptural ceramic clay helps broaden my technical knowledge and also allows me to appreciate the importance of play in my creative process. As I’ve grown as an artist, I have become increasingly interested in abstract art and the freedom it allows to utilize compositional elements. Through playing with how I can connect and take apart different shapes and forms, I can create perspectives that are more interactive for viewers. I’ve always been inexplicably drawn to female anatomy and plants, seeing them as representations of change and growth. Finding inspiration in the aesthetically pleasing nature, as well as the personal meaning of these images, I’ve developed my style to combine both organic and geometric representations of them. Incorporating my abstract compositional style with these representations, I hope to inspire discussion around gender expression and destigmatize femininity.